Posts Tagged Boston University School of Theatre

Getting Lively, Lush & Local With: Danny Park

Who are you? Danny Park

What do you do? I’m a student.

Where are you from originally? Rockville, Maryland

How long have you been working in Boston? Been in school for 1.5 semesters.

Why do you stay? Boston University’s theatre program

What’s your first theatre memory in Boston? Seeing a student created piece called “Brilliant Creatures” at BU and thinking, “This is going to be an AMAZING four years.”

What was your first job in theatre? Front of House work for Imagination Stage in Bethesda, Maryland.

What’s the best meal you’ve ever had before a show? No idea, prefer not to eat much before a show.

What’s your favorite rehearsal snack? A huge bottle of water.

Do you eat before you go on stage or do you wait until after your performance to eat? After, for sure.

If you could change one thing about theater, what would it be? The unchallenging nature of a lot of work being produced, both new and old.

What kind of theater excites you? The kind that I don’t agree with. I’d rather hate what your show says than say “Yeah…” Gets us nowhere.

What advice do you have for artists just starting out? I could always use more advice myself but…probably to trust your work in the face of doubt becausre there’s no major consequences for failing.

The Boston Theatre Conference is focusing on the lively, lush and local aspects of our theatre community. What do you think? The college theatre scene is where you’ll find the challenging works.

YOUR TURN! Write to us here!


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by Marie Polizzano

When it came time for me to graduate from the Boston University School of Theatre in May 2007, it seemed like the only question to be answered was, “New York City or Los Angeles?” Most of my classmates were dividing themselves between those 2 cities to pursue their acting careers. LA for those interested in film/TV, and NYC for those interested in theatre.  It seemed like there were no other options. The idea of staying here hadn’t even entered my brain as a possibility.  Until one day in late August, when I had started packing up my apartment in preparation for moving to NYC in September with most of my other classmates. On this day, I got a call from the New Repertory Theatre, who offered me a part in their “On Tour” production of The Crucible.  I had auditioned for them earlier in the summer.  “Ok!” I said, “I’ll do it!”  I accepted the job and was thrust into rehearsals at the end of September.  We were touring schools by the second week in October, and it was an incredibly rewarding experience from which I learned so much. I got to work with an fantastic ensemble of talented actors, I was learning so much from the dialogue we had with our young audiences, and the gig paid well!

By the time The Crucible closed, my “network” of theatre people in Boston had grown tremendously. I had met and worked with many talented actors, and as a result met a lot of their fellow Boston actor/director/producer-friends.  I already felt like I was a part of a community.  One job led to another, which led to another, and before I knew it I had performed in 3 touring shows with New Rep, auditioned for at least a dozen other companies in town, and formed lots of close relationships with fellow actors, directors, administrators.  Because Boston is a smaller community of artists, I found it easy to build a network here. Everyone is so supportive of each other’s work, and you start to see the same faces at auditions time and time again. I loved how quickly I was able to feel integrated into the community of such talented artists here. And I am proud to say that I am a Boston actor.  In the 3 years since graduating, I’ve had the experience of working with vastly different companies on very diverse shows, I’ve earned both my SAG and AEA cards, and I feel very inspired and challenged by the work I’m able to do.

The fact that we are talking about a Slow Arts Movement is so exciting to me, and is already something that we are starting to do here in Boston without even realizing it, I think.  The Slow Arts Movement is a way for us to reach out to the community and help develop cultural taste and appreciation.  How can we create art that is sustainable,local, and accessible? How can we inform our citizens of why doing so is essential to our well-being?  I hope that by coming together to consciously implement this awareness in our city, we can deepen and make even more rich and lasting the wonderful arts community that is already here.

About Marie Polizzano

Marie is currently working with the Huntington Theatre Company through November 14th, performing in Circle Mirror Transformation as a part of the “Shirley, VT Plays Festival.” When that closes, she’ll have a short break before beginning rehearsals with Whistler in the Dark Theatre on The Europeans, which will open in February.

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